Tuesday, June 2, 2009

chloe 1960 1970






European graphic design from the early days in 1960 and 1970's is a powerful inspiration source for designers all over the world. The new graphic design movement, also known as swiss graphic design or International typographic style that emphasizes cleanliness, readability and objectivity has had a huge impact on all areas of design ever since it was developed in Switzerland in the 50’s. The typical large, straight typography, sophisticated grid systems and a simple, clear message are all useful ingredients when designing web sites as well.

http://devkick.com/blog/design-inspiration-european-graphic-design-from-1950-1970/

1980's - Emigre Magazine / Sumner Stone - Robyn Rand



Emigre Magazine



The Emigre Magazine is a graphic design magazine published by Emigre graphics, lasting between 1984 and 2005, founded in California. 
Emigre Graphics is an independent design association founded in 1984, the founders took advantage of the Apple Mac computers ability to design digital typefaces without the need of typesetting equipment. The graphic designers began designing fonts that, rather then trying to imitate letterpress technology, took advantage of bitmap design, dot matrix printing and vector based design.
The Emigre Magazine provided an outlet showcasing the potential of it's typeface designs and was well known for it's graphical experimentation. The magazine had a huge influence on graphic designers who were moving into desktop publishing with it's typestyles, layouts, gust designers and articles.
The magazine was initially inspired by ITC's 'U&lc' and the Dutch magazine 'Hard Werken'. The idea of the magazine was to feature the work of artists, designers, writers etc.. who were emigrants and had experience from working in other countries. In the late 80's and early 90's the font sales became enough for the Emigre design company to concentrate wholy on the licensing and marketing of their fonts.
      

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Sumner Stone
     
Sumner Stone was former director of typography for Adobe systems in the late 1980's, where he conceived and implemented the companies typographic program including the Adobe Originals.
In 1990 Sumner Stone left Adobe to design and produce typefaces for his own studio: the Stone Type Foundry. He creates new designs that he sells directly from his foundry and licences some of his work to companies like ITC and Monotype Imaging for distribution. The Stone Type Foundry also works on custom designs for companies and publications that are wanting their own special typeface.
The Stone Type Foundry was commissioned by Scripps College (a liberal arts women's college in California) to revive the Scripps College Old Style family which was originally designed by Frederic Goudy. 
Some of his creations include: Magma, Silica, Basalt, Leaves & Straw, ITC Bodoni, ITC Stone and Tuff. Stone was one of the first designers to integrate serif and sans serif in the same 'superfamily'.








1990's
"The Digital Revolution"
Post 11 by Melissa Mackie

By the mid- 1990's, The Transition of graphic design from a drafting-table activity to an onscreen computer activity was virtually complete.
Software for Apple's 1984 Macintosh computer, such as the MacPaint program by computer programmer Bill Atkinson and graphic designer Susan Kare, had a revolutionary human interface.
Tool icons controlled by a mouse or graphics table enabled designers and artists to use computer graphics in an intuitive manner.
The Digital revolution in graphic design was followed quickly by public access to the internet. A whole new area of graphic design activity mushroomed in the mid 1990's when internet commerce became a growing sector of the global economy, causing organisations and businesses to scramble to establish Web sites.



chloe. 1940 1950



In the 1940’s this illustration by Haines Hall was to showcase their helium
product and their contribution to the war effort. Blimps were in common use
for graphic designers during WWII, mostly as a deterrent to air attacks.





With a country at war, martial images were commonly depicted in advertising. These are two covers from Western Advertising during the war years. You can see here the Patterson & Sullivan range from realistic to comedic— they could do it all.



Artist Bruce Bomberger's distinctive style, masterful staging, and composition helped brand Southern Pacific advertising. These advertisements are from 1944 and 1949, the copy on the lower ad mentions Pearl Harbor, which was a recent event at the time.




1957, 1958. Many artists worked on the Chevrolet account, such as Stan Galli, Bruce Bomberger and Charles Allen. Dozens of brightly colored paintings were created, mostly featuring the automobiles on scenic highways of the United States


http://phcreative.com/ourpast1950s.html

joana_POST.11







1980's Neville Brody
graphic designer, typographer and art director.


Brody made his name largely through his revolutionary work as Art Director for the Face magazine. 
He has consistently pushed the boundaries of visual communication in all media through his experimental and challenging work, and continues to extend the visual languages we use through his exploratory creative expression.
His company is best known for its ability to create new visual languages for a variety of applications ranging from publishing to film. It also creates innovative packaging and website design for clients such as Kenzo, corporate identity for clients such as Home choice, and on-screen graphics for clients such as Paramount Studios, makers of the Mission Impossible films.
He was one of the founding members of FontWorks in London and designed a number of notable typefaces for them. He was also partly responsible for instigating the FUSE project an influential fusion between a magazine, graphics design and typeface design.



http://www.researchstudios.com/home/006-neville-brody/NEVILLE_home.php
http://en.wikipedia.org/wiki/Neville_Brody
http://www.linotype.com/669/nevillebrody.html
http://images.google.com/images?q=neville%20brody




Neville Brody

1980's

Post 11, Melssa Mackie

 Neville Brody became famous in the 1980’s for his typographic design work on numerous magazines, in particular The Face and Arena. He is also known for his record cover design for Depeche Mode and Cabaret Voltaire.

 He was a founding member of FontWorks in London and designed a number of notable typefaces for them. He was also partly responsible for instigating the Fuse project which is an influential fusion between a magazine, graphic design and typeface design.

 Brody has consistently pushed the boundaries of visual communication in all medial through his experimental and challenging work, and continues to extend the visual languages we use through his exploratory creative expression. In 1988 Brody published the first of his two monographs, which became the world’s best selling graphic design book.

http://www.mantex.co.uk/reviews/brody.htm

http://en.wikipedia.org/wiki/Neville_Brody

http://www.kettererkunst.com/bio/neville-brody-1957.shtml

http://www.bbc.co.uk/dna/h2g2/classic/A774902

STACY POST12: TIMELINE ON 110 YEARS OF GRAPHIC DESIGN

group project a graphic timeline of a century of graphic design. Source the most influential graphics, for the decade at a high resolution, print at A5 size, mount on cardboard and install as a frieze in GG04. signage for the decade to be on A4 size.
the following students are responsible for the decade listed:
1900-1909 Tom 7 images and decade
1910- 1919 Sue 7 images and decade
1920-1929 Chloe/Chris 7 images each and decade
1930-1939 Robyn 7 images and decade
1940-1949 Mirra/Rita 7 images and decade
1950-1959 Jack/ Melissa 7 images each and decade
1960-1969 Akasha/Jules 7 images each and decade
1970-1979 Joana 7 images and decade
1980-1989 Luke/Emily 7 images each and decade
1990-1999 Brianna/Katie 7 images each and decade
2000-2009 Elisha 7 images and decade

programme:
10/06/09 research
17/06/09 present options to class for approval/ print
24/06/09 print and install